The Sum of All Fears
SOAF movie
Theatrical release poster
Directed by Phil Alden Robinson
Produced by Mace Neufeld
Screenplay by Paul Attanasio
Daniel Pyne
Based on The Sum of All Fears
by Tom Clancy
Starring Ben Affleck
Morgan Freeman
James Cromwell
Bridget Moynahan
Liev Schreiber
Alan Bates
Philip Baker Hall
Ron Rifkin
Bruce McGill
Music by Jerry Goldsmith
Cinematography John Lindley
Edited by Neil Travis
Nicolas de Toth
Paramount Pictures
Mace Neufeld Productions
MFP Munich Film Partners
S.O.A.F. Productions
Distributed by Paramount Pictures
Release dates May 29, 2002
(Los Angeles premiere)
May 31, 2002
(United States)
Running time 124 minutes
Country United States
Language English
Budget $68 million
Box office $193.9 million

The Sum of All Fears is a 2002 American spy thriller film directed by Phil Alden Robinson, based on Tom Clancy's novel of the same name. The film, which is set in the Jack Ryan film series, is a reboot taking place in 2002. Jack Ryan is portrayed as a younger character by Ben Affleck, in comparison to The Hunt for Red October starring Alec Baldwin, along with the film's subsequent sequels, Patriot Games and Clear and Present Danger, both of which starred Harrison Ford.

The film is about a plot by an Austrian Neo-Nazi to trigger a nuclear war between the United States and Russia, so that he can establish a fascist superstate in Europe. After the Neo-Nazi's scientists build a secret nuclear weapon that destroys Baltimore and a rogue Russian officer paid off by the Neo-Nazi attacks a U.S. aircraft carrier, the world's superpowers are pushed close to the brink of all-out war. CIA analyst Jack Ryan (Affleck) is the only person who realizes that the Baltimore bomb was a black market weapon, not a Russian one. With the clock ticking, Ryan has to find a way to stop the impending nuclear war.

The film was a co-production between the motion picture studios of Paramount Pictures, Mace Neufeld Productions, MFP Munich Film Partners, and S.O.A.F. Productions. On June 4, 2002, the original motion picture soundtrack was released by the Elektra Records music label. The soundtrack was composed and orchestrated by musician Jerry Goldsmith.

The Sum of All Fears premiered in theaters in the United States on May 31, 2002, grossing $118,907,036 in box office revenue. Its worldwide theatrical run ended with a total of $193,921,372 in business. Considering its production budget of $68 million and related marketing costs, the film was considered a major financial success. Despite this, the film received generally mixed reviews from critics.

Plot Edit

In 2002, a Syrian scrap collector uncovers a large unexploded bomb buried in a field within the Golan Heights. He sells it to a South African black market arms trafficker named Olson (Feore). Olson recognizes it as an Israeli nuclear weapon that was lost when the A-4 Skyhawk carrying it was shot down during the 1973 Yom Kippur War. He later sells it to a secretive far-right cabal seeking to impose a white supremacist world order, led by Austrian billionaire and Neo-Nazi Richard Dressler (Bates). Dressler's aim is to transform Europe into a united fascist superstate. He intends to start a nuclear war between the United States and Russia that will devastate them both.

CIA analyst Jack Ryan (Affleck) is summoned by Director William Cabot (Freeman) to accompany him to Russia to meet President Nemerov (Hinds). In Moscow, Cabot and Ryan are allowed to examine a Russian nuclear weapons facility as prescribed by the START treaty, where Ryan notices the absence of three scientists listed on the facility's roster. Cabot sends Special Activities Division operative John Clark (Schreiber) to Russia to investigate the missing scientists. Clark tracks the missing scientists to a former Soviet military facility in Ukraine, where Cabot suspects they are building a secret nuclear weapon that Russia could use without any way to trace it back to them.

Ryan and his colleagues discern that a crate from the facility in Ukraine was flown to the Canary Islands, then sent to Baltimore on a cargo ship. Ryan warns Cabot, who is attending a football game in Baltimore with the President, about a bomb threat being in play. The President is evacuated before the bomb detonates, but the city is wrecked by the ensuing shock wave. To escalate the situation, a corrupt Russian Air Force general who has been paid by Dressler sends Tu-22M Backfires to attack the USS John C. Stennis operating in the North Sea.

Ryan learns from the radiation assessment team that the isotopic signature from the nuclear blast pinpoints it as having been manufactured at the Savannah River Site in South Carolina in 1968; evidence which would seem to exonerate the Russians. In Syria, Clark tracks down Ghazi, one of the men who found the bomb, now dying of radiation exposure. He tells Clark that he sold the bomb to Olson, who lives in Damascus. Ryan's colleagues at Langley infiltrate Olson's computer and download files that implicate Dressler as the person who bought the plutonium and who is behind the Baltimore attack.

Ryan is able to reach the National Military Command Center in the Pentagon and get a message to Nemerov, saying that he knows that Russia was not behind the attack, while also asking Nemerov to stand down his forces as a show of good faith. Nemerov agrees to do so as President Fowler follows suit. The participants in the conspiracy, including Dressler, are later assassinated. Presidents Fowler and Nemerov announce new nuclear disarmament and counter-proliferation measures in joint speeches at the White House, as Ryan and his fiancee Dr. Catherine Muller (Moynahan) listen in.

Cast Edit



After the release of Clear and Present Danger in 1994, a year was spent developing Tom Clancy's The Cardinal of the Kremlin before the material was deemed too difficult to adapt resulting in producer Mace Neufeld purchasing the rights to Clancy's The Sum of All Fears. In October 1999, Harrison Ford announced that the next Jack Ryan novel being scripted into a film would indeed be The Sum of All Fears and that "hopefully we'll get that to a place where we can make a movie." During this time, writer Akiva Goldsman wrote multiple drafts of the script. However, on June 8, 2000, it was announced that Ford dropped out of the film after he and director Phillip Noyce were unable to work out script problems. It was later announced that Ben Affleck would take on the role in a $10 million deal that would see the series rebooted with Jack Ryan portrayed at an earlier stage in life. "The day I received the offer to play Jack Ryan, I was filming a Pearl Harbor scene with Alec Baldwin. He was very sweet and said I should do it," said Affleck. "I wouldn't have done the movie without talking to Harrison Ford first. He gave me his blessing. That's what I needed to hear." Months after Affleck became attached to the project, director Phil Alden Robinson was brought on to helm the project.

While the basic plot was the same, there were significant changes from the book. Noting these substantial changes, in the commentary track on the DVD release, Tom Clancy jokingly introduced himself as "the author of the book that he [director Phil Alden Robinson, who is present with Clancy] ignored."

Perhaps the largest change were the original terrorists. In the novel, they were Arab nationalists, but in the film, they were changed to neo-fascists. A common misconception is that this was done as a reaction to the September 11 attacks. However, the movie finished filming in June 2001.

On the "making-of" DVD extra, director Alden Brown said that it was purely for elements relating to the plot, as Arab terrorists would not be able to plausibly accomplish all that was necessary for the story to work. In addition, the terrorists in the book received significant aid from elements in East Germany, a country which had ceased to exist before the novel was even published. The group Council on American-Islamic Relations (CAIR) did mount a two-year lobbying campaign that ended on January 26, 2001, against using "Muslim villains", as the original book version did.

Screenwriter Dan Pyne claimed that the decision to not use Arab terrorists was "possibly because that has become a cliché. At the time that I started writing The Sum of All Fears, Joerg Haider was just starting to come into play in Austria. And simultaneous with that, I think, there was some neo-nationalist activity in Holland, and there was stuff going on in Spain and in Italy. So it seemed like a logical and lasting idea that would be universal." It has also been noted that a larger percent of profits stems from international audiences, and American filmmakers work to avoid alienating large segments of this customer base.


Principal photography for The Sum of All Fears began on February 12, 2001 in Montreal, Quebec. A majority of the film was shot in Montreal, including the sequences at the football game that were shot in the city's Olympic Stadium. Additional filming was done at the Diefenbunker in Ottawa, Ontario. Production wrapped in June 2001.


The musical score to The Sum of All Fears is composed by Jerry Goldsmith. A soundtrack album was released on June 4, 2002 by Elektra Records. In addition to Goldsmith's score, the soundtrack also includes source music such as "If We Get Through This" by Tabitha Fair and "Nessun dorma" by Giacomo Puccini. There are also two tracks from the album ("If We Could Remember" and "The Mission") that are vocal interpretations of Goldsmith's primary theme co-written by singer-songwriter Paul Williams.

The Sum of All Fears (Music from the Motion Picture)
Film score by Jerry Goldsmith
Released June 4, 2002
Length 49:30
Label Elektra Records
The Sum of All Fears (Music from the Motion Picture)
No. Title Length
1. "If We Could Remember" 3:30
2. "The Mission" 5:57
3. "The Bomb" 2:55
4. "That Went Well" 2:45
5. "Clear the Stadium" 1:33
6. "If We Get Through This" 3:36
7. "The Deal" 2:34
8. "Changes" 2:27
9. "Snap Count" 2:12
10. "His Name Is Olson" 1:51
11. "Nessun Dorma from Turandot" 2:58
12. "Deserted Lab" 1:52
13. "Real Time" 2:51
14. "How Close?" 6:05
15. "The Same Air" 2:01
16. "If We Could Remember (Reprise)" 3:34
Total length: 49:30


Theatrical runEdit

While the film was speculated to be released in late 2001, The Sum of All Fears was theatrically released on May 31, 2002. Many media outlets characterized this apparent change in release date to be a delay due to the September 11 attacks. Addressing the release date, director Phil Alden Robinson said, "When I came on board in August of 2000, they said, 'This is a Summer-of-2002 picture.'" As the first film released since September 11 to deal so vividly with terrorism, critics believed it to be too alarming to be released nearly nine months after the attacks.


Critical responseEdit

The film received mixed reviews. Rotten Tomatoes reports that 59% of critics gave the film positive reviews and that the average rating was 6/10 based on a total of 170 reviews counted. The consensus is that the film is "A slick and well-made thriller that takes on new weight due to the current political climate." At Metacritic, which assigns a weighted average out of 100 to critics' reviews, The Sum of All Fears received a score of 45 based on 35 reviews.

Peter Travers criticized Affleck's performance, saying it "merely creates an outline for a role he still needs to grow into, a role that Harrison Ford effortlessly filled with authority." Richard Roeper felt the film "is almost impossible to follow -- and there's something cringe-inducing about seeing an American football stadium nuked as pop entertainment." Michael Wilmington of the Chicago Tribune called it "an implausible apocalypse without depth or resonance", while Peter Rainer of New York magazine felt the "movie has been upstaged by the sum of our fears."  A few positive reviews came from The Argus, who praised Freeman for giving "the William Cabot character such validity." Roger Ebert felt that "the use of the neo-Nazis is politically correct: Best to invent villains who won't offend any audiences." He also said that "Jack Ryan's one-man actions in post-bomb Baltimore are unlikely and way too well-timed."

In Reel Power: Hollywood Cinema and American Supremacy, author Matthew Alford observed that the American political characters in the film act benevolently; declaring, "When the President and his advisers do apply force it is with heavy hearts and purely as a way of demonstrating 'deterrence' in the hope that this will encourage the Russians to back down. They never apply excessive violence and are ultimately successful – with Ryan’s help – in avoiding nuclear warfare." Furthermore, he argued that "the film celebrates and makes light of the enormous covert powers of a globally operating US national security state and its allies."

Box officeEdit

According to Box Office Mojo, the film made U.S. $118,907,036 and $75,014,336 in foreign totals, easily recovering its $68 million production costs.

See alsoEdit

External links Edit