|Smilla's Sense of Snow|
Theatrical release poster
|Directed by||Bille August|
|Produced by||Bernd Eichinger|
Martin Moszkowicz (de)
|Screenplay by||Ann Biderman|
|Based on||Miss Smilla's Feeling for Snow|
by Peter Høeg
|Music by||Harry Gregson-Williams|
|Edited by||Janus Billeskov Jansen
Det Danske Filminstitut
Greenland Film Production
|Distributed by||SF Film/Filmcompagniet (Denmark)|
Constantin Film (Germany)
Svensk Filmindustri (Sweden)
Fox Searchlight Pictures (USA)
|Release dates||12 February 1997|
28 February 1997
|Running time||121 minutes|
|Box office||$2.4 million (USA)|
Smilla's Sense of Snow (released in the United Kingdom under the original novel title) is a 1997 Danish-British-American thriller film directed by Bille August and starring Julia Ormond, Gabriel Byrne, and Richard Harris. Based on the 1992 novel Miss Smilla's Feeling for Snow (original Danish title: Frøken Smillas fornemmelse for sne) by Danish author Peter Høeg, the film is about a transplanted Greenlander, Smilla Jasperson, who investigates the mysterious death of a small Inuit boy who lived in her housing complex in Copenhagen. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland.
Scenes from the film were shot in Copenhagen, Kiruna and western Greenland. The film was entered into the 47th Berlin International Film Festival, where director Bille August was nominated for the Golden Bear.
In present-day Copenhagen, Smilla Jasperson, a transplanted Greenlander, is studying ice crystals at a university lab. An Arctic ice specialist, Smilla is uncredentialed and unemployed with a troubled past. She returns to her apartment complex to find the body of her neighbour, Isaiah Christiansen, a six-year-old Inuit boy, lying dead in the snow. The police tell her the boy was playing on the roof and fell. On the roof Smilla sees the boy's footprints in the snow and suspects foul play. The pattern of the footprints reveal someone running straight to the edge of the roof. Knowing the boy was terrified of heights, she suspects he was running away from someone.
At the morgue Smilla meets Dr. Lagermann. Seeing the body, Smilla remembers her friendship with the boy—reading to him, bathing him, taking him to the zoo. Her love for this neglected son of an alcoholic mother had given meaning to Smilla's lonely life. She is surprised to learn that Dr. Johannes Loyen, a prominent professor, performed the autopsy. The next day, she visits Loyen, who states the child's death was an accident. Unconvinced, Smilla files a complaint with the District Attorney. She goes to Lagermann's home seeking more information, and he reveals he discovered a puncture wound on the boy's thigh made by a biopsy needle after his death. He also reveals that Loyen was examining the boy every month.
At the funeral, Smilla notices Dr. Andreas Tork trying to give money to the grieving mother who rejects it in anger; earlier she was also offered a pension from Greenland Mining following her husband's accidental death in Greenland. Detective Ravn from the District Attorney's office comes to Smilla's apartment and agrees to look into the case, but Smilla discovers he is involved with Tork, the CEO of Greenland Mining. Smilla tracks down the company's former accountant Elsa Lübing, who directs her to the Expedition Report in the company archives. She breaks in, locates the report, and is surprised by her neighbour, the mechanic, who has followed her and now offers his help. They return to his apartment where she shares what she's discovered.
At the District Attorney's office, Ravn threatens Smilla with imprisonment—something Greenlanders find particularly stressful—for stealing Greenland Mining property. She agrees to suspend her investigation, but after learning from Isaiah's mother that her husband died from something in the melt water, she continues her investigation. Smilla meets with her father, Moritz Jasperson to ask for his help in understanding the Expedition Report. Her father agrees to look into it, and later he shows her medical x-rays of Greenland Mining accident victims that reveal the presence of a lethal prehistoric "Arctic worm" thought to be long extinct. He explains how the presence of these worms inside a person's vital organs causes toxic shock and death.
At the apartment complex, Smilla discovers a cassette tape hidden behind the wall near Isaiah's old hiding spot beneath a stairwell. Unable to understand the audio, she takes the tape to an audio expert who cleans it up enough to reveal Isaiah's father talking to his son. The audio expert is soon murdered, and Smilla barely escapes with her life. Later Smilla and the mechanic follow their pursuers to a ship, which Tork is preparing for another Greenland excursion.
At the Casino Copenhagen, the mechanic's friend, casino owner Birgo Lander, provides Smilla information about the ship and points out its captain, a heavy gambler who is in debt to him. Lander agrees to help her get aboard the ship as an employee. Once on board, Smilla meets Nils Jakkelsen, who helps her discover videotapes revealing the truth about the Greenland operation—the discovery of an energy-producing meteorite that Tork believes will give his company a dominant position in the world. As the ship cuts through the dense Arctic ice packs, Smilla is chased throughout the ship by Tork's men. After Nils is killed, Smilla is helped by the mechanic, who secretly followed her aboard. He reveals he works for the government and was assigned to investigate Greenland Mining.
As the ship approaches the shore, Smilla leaves the ship following the mechanic's instructions and makes her way across the frozen landscape. She discovers the entrance to the Greenland Mining ice cave, where the company is doing research on the meteorite that fell in 1859. Inside the cave she is captured by Tork's men, but she is rescued by the mechanic/agent. Wounded from the exchange, Tork runs from the cave and out across the ice. The mechanic/agent sets off a powerful bomb that destroys the cave in a massive explosion. The resulting waves move the ice beneath Tork, who falls and drowns in the freezing water. Smilla gazes out over the seemingly endless landscape of ice and snow—the land of her childhood.
- Julia Ormond as Smilla Jasperson
- Ida Julie Andersen as Smilla as a child
- Gabriel Byrne as The Mechanic
- Richard Harris as Dr. Andreas Tork
- Jim Broadbent as Dr. Lagermann
- Tom Wilkinson as Prof. Loyen
- Robert Loggia as Moritz Jasperson
- Vanessa Redgrave as Elsa Lübing
- Emma Croft as Benja
- Bob Peck as Ravn
- David Hayman as Telling
- Peter Capaldi as Birgo Lander
- Mario Adorf as Capt. Sigmund Lukas
- Erik Holmey as Hansen
- Matthew Marsh as Detective
- Jürgen Vogel as Nils Jakkelsen
- Charlotte Bradley as Mrs. Lagermann
- Maliinannguaq Markussen-Molgard as Smilla's mother
- Clipper Miano as Isaiah Christiansen
The film was shot largely in Germany, Denmark, Greenland, and Sweden. Locations include Bavaria Film Studios, Munich, Germany (studio), Copenhagen, Denmark, Hotel D'Angleterre, Copenhagen, Denmark, Ilulissat, Greenland, Kiruna, Norrbottens län, Sweden, and Ata, Greenland
Smilla's Sense of Snow received mixed reviews, with most of the negative reviews focused on the unrealistic ending. In her review in The New York Times, Janet Maslin wrote, "Smilla's Sense of Snow begins grippingly, then devolves into ever less credible derring-do as the action turns Smilla from a self-styled detective into an adventurer. The story finally leaves credibility behind as it sails off to the frozen north. The film has an elegant Smilla in Julia Ormond, whose remoteness works better here than it has in other roles. Ms. Ormond plays Smilla in the chic, alert, unsmiling fashion of a French film star, and she richly rewards the camera's many beautiful close-ups of Smilla cogitating on crime."
In his review in the Chicago Sun-Times, Roger Ebert gave the film three stars. Despite the implausible ending, he found that the movie worked, writing, "Here is a movie so absorbing, so atmospheric, so suspenseful and so dumb, that it proves my point: The subject matter doesn't matter in a movie nearly as much as mood, tone and style. Smilla's Sense of Snow is a superbly made film with one of the goofiest plots in many moons. Nothing in the final 30 minutes can possibly be taken seriously, and yet the movie works. Even the ending works, sort of, because the film has built up so much momentum."
In her review in the Las Vegas Review-Journal, Carol Cling wrote, "Fascinating setting and strong performances make up for the far-fetched plotting." In his review in the Flipside Movie Emporium, Rob Vaux wrote, "An underrated and effective thriller, buoyed by a fine performance from Julia Ormond." In his review in the Capital Times (Madison, WI), Rob Thomas wrote, "An atmospheric and enjoyably preposterous mystery." And in her review in Movie Mom at Yahoo! Movies, Nell Minow wrote, "The idiotic ending seems to belong to another movie."
The Rotten Tomatoes web site reports that the film received an aggregate 52% positive rating from critics (based on 33 reviews).
Awards and nominationsEdit
- 1997 Berlin International Film Festival - Golden Berlin Bear Nomination (Bille August)